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The
Choreography Society (Indian)

Yearbook Report 2009-2010
To
understand the Indian Choreo Group, one must be present at a
rehearsal. A typical session begins with a sophisticated, bloodless
battle between the two branches of the sorority (yes, despite our
best efforts we remain a sorority) for control of the dance floor.
Due to its size and sciencee majority , the folk team usually wins,
leaving the classical group to stew moodily in a corner while it
awaits its mathematically inclined members.
Once they take to the floor
however, all traces of sullenness vanish. Suddenly, the members
rediscover friendship and connections, exchanging gossip and work
details rather than tapping excitedly to the music. Commitments are
recalled and appointments rushed to, causing the overworked
Secretary to clutch at her curly locks and attempt stern reprimands.
The third years discuss teachers and the second years leave while
one dedicated and devoted first year hands out water to all and
sundry. Honestly, it’s a wonder a performance is ever put up, let
alone without too many obvious hitches!
Which halls were graced by the
group this year? Obviously there was the opening of Harmony, which
received rave reviews from devoted fans and groupies. Unfortunately,
this adulation did not extend much beyond the hallowed corridors of
Stephania. Despite both group and individual participation in a
number of fests, only one prize was retrieved- Rini Aich placed
second in the classical solo at the LSR’s ‘Tarang’. Whispers say
that in-house favouritism was her downfall.
We struggle on though, and
refuse to let these minor inconveniences hamper us. What do prizes
matter when we may have a second round of the Choreo Soc fest in the
pipeline? We’re keeping our fingers crossed for that, channelling a
bit of that energy which we bring to rehearsals into organizing it.
What does it matter if a lot of that energy is dissipated in idle
chats and swallowed in languid water breaks? Those are the things
that turn us into more than a mere pack of dancers- providing
(cliché alert!) the adhesive that morphs us into a society.
The
Choreography Society (Western)

Yearbook Report 2009-2010
There are some who think we are eccentric. Somewhat odd-ish. We turn
exuberant cartwheels on sunny lawns, they raise a skeptical eyebrow.
Our spurts of enthusiasm puzzle many. But then, those seen dancing
always have been thought insane by those who could not hear the
music.
This year our choreography society ,was not a newcomer getting its
toes stepped on. Our theme for the competition circuit was female
infanticide (having portrayed schizophrenia the first time around we
had decided to pick something just bordering on cheerless instead of
out and out disturbing). This has been done and redone to
exhaustion, but our rendition of it was more along the lines of the
stricken female rising out of nowhere and giving her oppressors a
nasty surprise, which was well received showing that judges like
some vim in their women. We performed at competitions in BITS Pilani,
LSR, Dilli Haat and India Habitat Center winning second position in
the latter two and exciting comment for our costume, music and
strangely enough, dancing.
In
an effort to make other people hear the music, we also organized a
dance workshop in collaboration with the Artree academy of
performing arts and the Leela Kempinski-Gurgaon. We achieved our
objective with a JCR full of people nervously pawing the ground
attempting the samba, hip-hop and contemporary styles of dance under
the able guidance of some other people who had got more than they
had bargained for in the way of students.
We
were finally granted our own society board, which then promptly fell
into rampant disuse. This state of affairs is expected to continue
until we have something to announce.
Having said all this, we are fully determined to dance in the sun-
wearing wild flowers (or not, as inclination dictates) in our hair.
And eccentricity be praised!
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